Two Schools of Fashion, One Creative Class
October 24, 2018
Sara Kozlowski



Shie Lyu’s collection evoked technophilia as an exercise in precision. Digital textiles in plaids and gingham combined with three dimensional embellishment were topped with sculptured pastel armor.
Shie Lyu, Parsons School of Design
Shie Lyu, Parsons School of Design
Shie Lyu, Parsons School of Design
Shie Lyu, Parsons School of Design
Rui Zhou’s knitwear, transformed the body into textured sculpture.
Rui Zhou, Parsons School of Design
Rui Zhou, Parsons School of Design
Rui Zhou, Parsons School of Design
Rui Zhou, Parsons School of Design
Kota Okuda’s cartoon-like big money and laser cut coins have already gone viral.
Kota Okuda, Parsons School of Design
Kota Okuda, Parsons School of Design
Kota Okuda, Parsons School of Design
Kota Okuda, Parsons School of Design
Irina Wang presented future uniform shapes with postal references.
Irina Wang, Parsons School of Design
Irina Wang, Parsons School of Design
Irina Wang, Parsons School of Design
Irina Wang, Parsons School of Design
Annaliese Griffith-Jones collaged silicone, quilting, and Swarovski into future domesticity.
Annaliese Griffith-Jones, Parsons School of Design
Annaliese Griffith-Jones, Parsons School of Design
Annaliese Griffith-Jones, Parsons School of Design
Annaliese Griffith-Jones, Parsons School of Design
Zibo Wang toyed with codes of gender and identity combined with childhood souvenirs such as embroidered soldiers from early life on a military compound in China.
Zibo Wang, Academy of Art University
Zibo Wang, Academy of Art University
Zibo Wang, Academy of Art University
Zibo Wang, Academy of Art University
Zhihan Liu’s collection felt emotional- with hand burnt and frayed ruffles and pleats representing austerity, purity and fragility.
Zhihan Liu, Academy of Art University
Zhihan Liu, Academy of Art University
Zhihan Liu, Academy of Art University
Zhihan Liu, Academy of Art University
Nicholle Jones’ study of architectural proportions evoked protection- with beekeeper shapes tenting the body in millinery forms.
Nicholle Jones, Academy of Art University
Nicholle Jones, Academy of Art University
Nicholle Jones, Academy of Art University
Nicholle Jones, Academy of Art University
Lusha Wang’s cardinal red knits made from wool and bamboo using bind and stich techniques created maximal soft volumes.
Lusha Wang, Academy of Art University
Lusha Wang, Academy of Art University
Lusha Wang, Academy of Art University
Longwen Li presented a collection of menswear and textiles referencing Revenge of the Nerds and Glitch Art.
(Photo by Randy Brooke/Getty Images)
Longwen Li, Academy of Art University
Longwen Li, Academy of Art University
Longwen Li, Academy of Art University
Longwen Li, Academy of Art University
With fashion month behind us, we take a moment to look back at the future of fashion, so to speak, through the creativity showcased at New York Fashion Week by MFA fashion graduates from Academy of Art University in San Francisco and Parsons School of Design here in New York.
The respective program leaders Simon Ungless and Shelley Fox spotlight selected designers’ collections at NYFW annually—a move that also amplifies the visibility of these globally renowned programs.
For these graduates, NYFW is the kingpin, a multi-vehicle exposure platform. In addition to the runway shows, AAU hosted the talents in a New York Pop- up showroom for industry while Parsons curated an exhibition to focus on each designers’ concentrated vision.
The AAU and Parsons MFA programs identify more as talent incubators than as traditional schools, and Ungless and Fox consistently turn out some of the most exciting fashion talents, including Parsons alums JAHNKOY, LANDLORD, and Matthew Adams Dolan. The graduates often land in top jobs from DVF to McQueen, Nike to Patagonia, or start their labels such as AAU alums Kenneth Ning and Eden Slezin.
The 29 selected NYFW designers represent global ambassadors with roots from around the world and are connected by methodologies, and most importantly, their potential to impact our futures.
What is the next generation’s answer to today’s conflicting demands of immediacy and a desire to slow down? According to Fox, mastery of craft and creativity are core to the teaching of this generation: “The course asks students to think about why they are doing what they do. What do they care about? What’s their point of view? Research is key and is embedded within each course throughout the curriculum and simultaneously challenges the students to think about social engagement, their place within society, the language of their craft, materiality, the communication of fashion. Overall as a group, their fabrications are incredibly strong and distinctive – which helps them stand apart from an already congested arena. There is an emphasis on the pursuit of making the best of your craft as a designer – in whatever form that may take.”
Of this year’s class, Ungless said, “With this particular group of designers, they were all focused on mastering their specific crafts, such as diving deep into hard tailoring or more 3D with sculpting and modeling with fabric. Each designer had their thing and they were all quite different in the message they wanted to voice through material and technique such as oversize embroidery or weaving with hand-knits…Harnessing technical skills to support their creativity.”
Click here to hear more from Shelley Fox and Simon Ungless.
We highlight 10 designers showcased by AAU and Parsons – each with crafted creativity, originality, color, ideas, and an integrity blended with technical acumen.
PARSONS SCHOOL OF DESIGN Annaliese Griffith-Jones | Rui Zhou | Kota Okuda | Irina Wang | Shie Lyu
ACADEMY OF ART UNIVERSITY Longwen Li | Lusha Wang | Nicholle Jones | Zhihan Liu | Zibo Wang
COURTESY PHOTOS