Emily Adams Bode Aujla titled her Spring 2026 collection, which she presented at the Théâtre National de l’Opéra‑Comique, “The Expressionist.”

Indeed, the lineup a spectrum of vibrant oranges, greens, and blues alongside earthy tans and browns, brought to life through rich textures like strips and beads on knit cardigans, and tote bags. Yet, it was also the finely tailored, one‑of‑a‑kind pieces presented on handmade figurines that exuded the theme.

They were a tribute to the CFDA member’s heritage, specifically honoring her uncle, Grammy‑winning jazz pianist Bill Charlap, and his father, Morris “Moose” Charlap, who played a key role in American musical theater. Moose was best known for composing the score to Broadway’s Peter Pan, and Bill honored his legacy with a live piano performance featuring “Some Summer Day,” “I Won’t Grow Up,” and “Please Let Me Die in Paris,” filling the room with heartfelt storytelling and warmth. The collection title was inspired by Moose’s final unfinished collaboration with lyricist Eddie Lawrence. Yet it is Moose’s childhood, his early experiences in New York theater, and other musicals like Alice Through the Looking Glass that pulsed throughout the designs.

Bode Aujla’s remarkable archival research brought to light a life profoundly shaped by Moose’s creativity.

“Personal narratives have always been the foundation of my work. I am drawn to how childhood, traditions, and Morris shaped our sense of identity,” she reflected.

It was at once a personal and powerful moment.