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EMERGING TALENT

How Áwet New York Is Focused on Giving Back 

March 28, 2024

Nicky Campbell

Áwet Woldegebriel started his business in 2020, just as the pandemic threw the world into a period of uncertainty. Woldegebriel knew community was more important than ever, so he jumped into action with Áwet New York’s debut collection, “A Promise to New York.’ Inspired by his father, who was a tailor, Woldegebriel set out to support garment workers. He used all of his savings to start the brand, and the bet paid off when he was met with swift success. With 100 percent of the profits going back to the workers, the brand earned the support of the fashion industry and consumers alike.

From there, the brand caught the eye of CFDA Member Kenneth Cole (now a mentor and friend); designed a collection with Equinox; was selected for the Saks designer accelerator program; and, now, has a new collaboration with UPS to support BIPOC talent.

Woldegebriel grew between Eritrea and Ethiopia before fleeing in 1998 and moving to the U.S. in 2000 after he was granted asylum. The designer is committed to spreading positivity and using his platform to give back to those around him.

Learn more about the emerging designer and his label below.

 

How did you get your start in fashion? Was this an industry you always wanted to work in?

Growing up, as a son of a tailor, I was surrounded by seamstresses, garment workers, tailors, and fabric dealers in Addis Ababa. I understood the power that clothing can have in setting intentions and culturally representing one’s heritage, background, religion, education, etc. Being a Habeshan (a person of Eritrean and Ethiopian descent), garment storytelling was an integral part of showcasing identity, so there was always respect for garment workers in the community when I was growing up.

I used to work in the UN system, leading partnerships and promoting UNIFE’s global cause. I never thought that I would end up working in the fashion industry. What’s surprising is that I completed my Masters at NYU Robert F. Wagner Graduate School of Public Service. My thesis was focused on analyzing the production and manufacturing cycle and its impact on workers and the community. Looking back, it feels like the universe was preparing me for this journey, and the community impact that this industry can make led me to work in this field.

Congratulations on LIVEWEAR, your first retail location. It seems like a very unique venture; how did the idea for this store come about?

When I started working in the fashion industry, I noticed that there weren’t many designers like me at the top. This inspired me to take action. In 2021, I had the opportunity to collaborate with Kenneth Cole. Together, we sought to address the issue that only 7.5 percent of fashion designers in America are Black. Our collaboration led to taking over his vacant Bond Street store and opening a holiday pop-up store for a week, featuring 10 Black designers. Two years later, we took over the same space and opened the first-of-its-kind retailer destination where consumers can discover BIPOC brands in a destination that celebrates fashion, art, and design.

We brought on world-renowned Mexican designer and architect Jose Esperon from Esperon Studios to be the space’s creative director and lead the charge of designing the store. The new multi-brand shopping destination features a roster of ever-evolving BIPOC designers to discover, offering customers the opportunity to learn about new and diverse luxury brands across fashion and accessories and showcase never-before-seen luxury designer furniture and art.

It’s more than just a store; it’s an immersive galley that guarantees each visit as an encounter with innovation and inspiration, reshaping the conventional retail encounter.

Tell us about your collaboration with UPS. How did it come about, and why was it important to use this to support BIPOC designers?

Many BIPOC brands face financial constraints that make it impossible for them to open a storefront, let alone on Bond Street. To solve this problem, we sought out a partner who would sponsor brands coming in and help us offer valuable space in the store to luxury BIPOC brands for free. UPS has stepped up, in more ways than one, to become a partner in this vision.

Because of the UPS support, designers get to keep 100 percent of the sale of their products with zero overhead costs. Our merchandising team will vet each applicant brand to ensure that the space continues to be a curated hub for luxury discoveries. Brands can apply to have popups, rack space, do an event, etc. We have designated sales associates ready to welcome designers and their creations. Essentially, I want every designer to feel like they too have a storefront, which is also why I did not want my flagship store to be called Áwet New York. It needed to be inclusive of everything I can’t live without, community being one of them.

How would you describe the brand to someone not familiar with the label?

I founded the brand with the concept of Livewear, focusing on creating timeless pieces that seamlessly integrate into everyday life and become essential parts of your wardrobe. Clothing needs to feel effortless on the wearer; people know when you feel good in what you are wearing and when you feel like you’re wearing a costume. We make clothing that you wear, not clothing that wears you. We prioritize both comfort and visual appeal by carefully selecting fabrics, sometimes even creating our own blends. Our goal is to craft beautifully made, effortless, and functional pieces that cater to your needs.

What advice would you give to new and emerging designers in fashion?

Don’t give up. Be just as passionate about the business side of fashion as you are about the creative process. There is enough room for everyone to succeed. You will find more success by opening doors for fellow designers and collaborating for collective achievement rather than focusing solely on your own success.

 

 

Áwet New York
Áwet Woldegebriel

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